Day
12. The Muppet Christmas Carol –
There are landmark films in everyone’s life, films that you can remember the
first time you watch them, they make you laugh or cry just like it’s the first
time each time you watch them, and no matter how many times you’ve seen it the
movie still affects you. This is the joy of filmmaking; landmark films are why
we continue to watch, why the art form has thrived, and why movies are an
essential core of American culture. These films usually make a personal
connection and their actual quality, though usually high, matters very little.
It is my extreme
pleasure to talk about The Muppet
Christmas Carol, one of my landmark films. The songs are as emotional as
ever, the jokes never get old, and Michael Caine’s Ebenezer Scrooge is
wonderfully cruel yet compassionate. I can remember this first time I saw the
film in small theatre in Pasco, WA (a theatre that sadly no longer exists) with
my Dad. I can remember the awe and joy I felt that day, as well as my silly
notion that I could meet the actors after the movie. As a kid I thought that
that movie played out live behind the screen, so when the film was done I
rushed toward the exit door by the movie screen looking to meet all my favorite
Muppets. Luckily, my Dad beat me to the door and kept me from rushing out and
ruining the illusion; instead he went through the door, signed a napkin with
all the Muppet’s names and came back and told me “that The Muppets were so
happy I enjoyed the movie, but they were getting ready to do it again and
wished me a merry Christmas.” It’s moments like these that last a lifetime and
why a gleefully look forward to watching The
Muppet Christmas Carol every year.
As for the film itself,
this is a glorious rendition of a classic tale, it’s faithful and unique at the
same time; it feels scary and hopeful while at the same time being full of
Christmas spirit and Muppet mayhem. It’s weird to say that what works about
this film is its perfect casting yet that’s exactly what puts it over the top.
Caine gives one of the best performances of Scrooge ever put on film, its
honest and grounded, which is always needed when dealing with fantasy elements
and puppets. Caine is the emotional through line of this film and understands
not only the layers and depth of his character but how it works within the
context of the film that he’s in. The Muppets themselves take a back seat to
Caine, which is rare for a Muppet film, yet, it work in every way. Kermit the
Frog is one of the big screen’s best everymen and is the easy to choice to play
Bob Cratchit, while the littlest frog Robin is simply heart wrenching as Tiny
Tim. I could ramble on about why each part is perfectly played by Muppets that
almost seem built for the roles and yet I digress.
But what makes this
version of Dickens’ Christmas Carol different from the others? What sets it
aside as a genuine Christmas classic and classic film in general? It’s Dickens’
himself, played by The Great Gonzo (Dave Goelz, muppiteer and voice) and his
sidekick Rizzo the Rat (Steve Whitmire, muppiteer and voice) that push this film
to the top of the pile. Gonzo plays Dicken as the narrator of the story; he
guides us through the adventure while never talking down to his audience but
talking with them, and seamlessly using lines from the book with his own interpretation
to make the story endlessly accessible. Rizzo serves as a surrogate for us, the
modern audience, allowing for more humor in the story than ever before and keeps
this train chugging along at all times, while breaking the fourth wall at every
possible moment.
The Muppets were meta
before it was cool to be meta, referencing themselves as actors, speaking to
each other in private moments and addressing the audience on several occasions;
all of this is used to great effect. While the script is not an entirely word
for word adaptation, nor should it be. A few examples of these changes are Fuzzwig’s
Rubber Chicken Factory and the song “Marley and Marley” are just some of the
small but appropriate changes. Jerry Juhl’s script and Paul Williams’ songs are
faithful to the spirit of the book while becoming completely unique and special
all in their own right.
I can’t recommend this
film enough, its great addition to any holiday season and a film that I certainly
could be without. And remember, wherever you find love, it feels like Christmas! Merry Christmas, dear readers, and happy new year. Thanks for a great 2013 and an even better 2014!
Day
11. Little Women – This is one of
my all-time favorite movies, yeah… I’m admitting that. But it’s sooooo good.
Okay, fan gushing aside I do love Little
Women. The book, the classic film and yes the 1994 version starring Winona
Ryder, Claire Danes, Kirsten Dunst, Samantha Mathis, Gabriel Byrne, Eric
Stoltz, Christian Bale, Trini Alvarado, and Susan Sarandon is one of favorite
films.
Ryder in the role of Jo
March earned an Oscar nomination for best actress and the film is a beautiful
telling of the story. Writer Robin Swicord adapts Louisa May Alcott’s novel with
precision allowing all of the characters to flourish in their screen time.
Director Gillian Armstrong delivers an amazing backdrop for this film to take
place in and each moment hits honestly and accurately. The American Civil War
is the perfect framework for this story of early female independence and strength.
Also earning Oscar nominations for
Colleen Atwood’s costume design and Thomas Newman’s score Little Women is worthy of your attention any time of year.
So why does it appear
on my Christmas list? Most crucial scenes of the piece take place around the
holiday season. It serves as marker for the March family, showing time passing
and giving them the reason to come together as family. While Christmas itself
plays a vital role in the story, it’s the sense of giving, holiday spirit, and
most importantly family that make this film a perfect watch the holiday season.
Happy Christmas Eve Everyone! See you tomorrow for my number one all time Christmas film, can you guess what it is?
Oh… dear readers, it’s
been a very busy week at work and with life, so as you can see the 12 days of Christmas
count down has been interrupted. But I’m back! And hopefully going to make sure
that we finish on a strong note. Tonight’s article is a catch up on days 4
through 9, not quite as in depth as some of the other in this series but just
as packed with holiday joy.
Day
4. Jingle All the Way – Now, am I going
to tell you that 1996’s Jingle All the
Way staring the dynamic duo of Arnold Schwarzenegger and Sinbad is a good film?
No. But I will tell you that it’s hard to look away. Much like a car crash that
you can’t help but stare at Jingle All
the Way is so bad, it’s entertaining. For a bit of a change of pace this
holiday season pop in this piece of 90s of gold and enjoy some of the most
nonsensical, demented, and forced family fun of the season.
Day
5. The Man Who Came to Dinner – Based
on the 1939 play by Kaufman and Hart The
Man Who Came to Dinner is a hilarious film starring Monty Woolley, Bette
Davis, and Ann Sheridan. The play has become a community theatre standard and
the ’42 film has become a classic in its own right. The Man Who Came to Dinner tells the story of Sheridan Whiteside, an
acerbic critic, who slips on the front steps of an Ohio businessman’s home and
breaks his hip, then he and his eccentric entourage take over the home for the
holidays. This film was first introduced to me a couple of years ago by my good
friend Nick, one of the stories biggest fans, and I thoroughly enjoyed the film
and it only gets better with every watch. Enjoy this classic piece of Hollywood
cinema.
Day
6. It’s A Wonderful Life– Speaking of
classic Hollywood cinema, It’s a
Wonderful Life is a film that has found eternal life. Made in 1946 this
film is more popular today than it was upon its release. Featuring James “Jimmy”
Stewart, Donna Reed, Lionel Barrymore, Thomas Mitchell, and Henry Travers It’s a Wonderful Life originally opened
to mix reviews and got lost in the end of year shuffle of 1946, although it
went on to gross quite a bit of money in 1947 the film found a home, years
later, on TV. Where it has been shown for decades upon decades and has become
beloved by many generations. Stewart would later go onto say that George Bailey
was his most favorite part. This film has become one of the most parodied films
of all time, by other films, countless TV shows (including this season’s Christmas
episode of The Big Bang Theory),
plays, and music videos have all done variations on George Bialiey’s story. If
for some reason you’ve not see It’s a
Wonderful Life, take this holiday season to fix that problem.
7.
Batman Returns – Everyone has a
film or two that they watch around Christmas time that’s not really a holiday
film but it happens to take place around the holiday season. For a lot od
people that film is Die Hard, and
while I do love Die Hard, the film
that fits my non-holiday holiday film is 1992’s Batman Returns. Tim Burton’s dark tale (a most redundant phrase)
finds Gotham City under siege from a gross penguin (Danny DeVito), and unscrupulous
businessman (Christopher Walker) and, of course, Catwoman (Michelle Pfeiffer)
and only Michael Keaton’s Batman can save the day. This is a fun, old-school
superhero film that holds up well today and is my favorite of the 80s-90s
batman series. Take a trip back to 1992’s Gotham City and get lost in the cold,
dark world of Batman Returns
Day
8. The Family Stone – A highly
underrated film The Family Stone is a
perfect blend of dramatic, comedic, and emotional moments. Telling the story of
what happens when the Stone family gets together for Christmas this film
features a great ensemble cast that includes: Claire Danes, Diane Keaton,
Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker, Luke
Wilson, Tyrone Giordano, Brian White, and Elizabeth Reaser. While it’s not a
perfect film it hits all the right emotional moments and really lets us care
about every member of the Stone family. 2005’s The Family Stone is a great watch for any holiday season.
Day 9. White Christmas– The best of the classic Christmas musicals is Irving Berlin’s White Christmas featuring Bing Crosby,
Danny Kaye, Rosemary Clooney, and Vera-Ellen and some of the best dancers ever
put on film. This fun frolicking film focuses on a successful song-and-dance
team who become involved with a sister act, then the four mismatched lovers team
up to save the Vermont Inn. It’s a wonderful film that is both honest and endearing
while at the same time witty and self-aware. Crosby is on top of his game here
and this film is one of the simple traditional joys of the holiday season.
Day
3. Home Alone/Home Alone 2 Lost in New York – How do you pick between Home Alone and Home Alone 2:
Lost in New York? You don’t choose. You watch them both. Now, if The Wet Bandits
have you backed into a corner and were forcing you to choose, then you say
“keep the change, ya filthy animal!” hit them in the head with paint cans, then
watch both films! Home Alone is a
film that every 90’s kid grew up watching because it was everywhere and it made
us laugh and it was what we all dreamed, to not have our parents around (even
though secretly we wouldn’t want them to be gone long). Written by John Hughes
and directed by Christopher Columbus Home
Alone became a genuine holiday smash hit and made Macaulay Culkin a house
hold name, so much so that in 1992, just two years after the film, Home Alone 2: Lost in New York made its
way to the big screen. Both films feature Joe Pesci, Daniel Stern, and
Catherine O’Hara and find a way to show that the most important thing about
Christmas is family. The third acts of both Home Alone films are modern day
Three Stooges sketches and as I’ve grown older, their “comedic” value has
fallen; however, that doesn’t mean that these films don’t have anything to
offer an older audience.
Both films have moments
of pure holiday joy, sadness, fear and catharsis. Now, I’m not saying these are
the greatest, most perfect films you will ever see; but I am saying that they
don’t deserve to be lumped into the “child’s film” category. The epitome of
these moments is featured in the first film and features Culkin and Roberts
Blossom as Old Man Marley meeting face to face for the first time, and Culkin’s
character Kevin McCalister realizing that he’s not totally alone this holiday
season.
Home Alone
and Home Alone 2: Lost in New York
are great films for the holiday season, to gather up your family and relive the
joyous times of the past, as well as pass the tradition on the next generation.
Get ready for a double article! Two quick reviews, as we look at the second day of Christmas and two versions of Miracle on 34th Street as well as another edition of What We Learned Today at the Movies: The Hobbit: The Desolation of Smaug
Today’s Lesson: Get Out While You Still Can! – No matter how often you go to the
movies it’s an experience.
You have to leave your home, carve out at least two hours of your day, turn off
your phone, and watch the story that is about to unfold in front of you. Whether
or not you hold the art form of filmmaking in high reverence there is no
question that going to theater is an experience. There a very few times where
you attend a movie and enjoy your trip in spite of the film itself. The Hobbit: The Desolation of Smaug is
one of those times, for me. Did I have a great time at the movies? Yes. Did
that have anything to do with Peter Jackson’s newest film? No. Did that have to
do with the awesome company I saw it with and a great theater to see it in? You
bet’cha! But this blog isn’t a review of my trips to the movies; it’s a review
of movies. With that being said I begin my desolation of Smaug.
First and foremost Smaug is clearly a sequel because it doesn’t
stand on its own; it feels incomplete since it lacks a beginning, middle, and
end – Smaug is the middle of the
story and nothing more. Due to this fact, it’s a highly unsatisfying film that
is only good for the hardest of hardcore fans. I’m not going to (nor am I
trying to) convince any J.R.R Tolkien fan that this film is bad. It’s a
faithful adaptation to the work of Tolkien, most aspects of the film are well-made,
and there is a few good acting performances; this is all you need to appease a
fan base. I’m mean, there’s no one who’s going to convince me that Harry Potter and the Deathly Hallows Part 2
was not one of the best of 2011, but that’s not the point here.
Diving a little deeper
into what doesn’t work about Smaug we
find our bow and arrows pointed squarely at director Jackson. In a case of “what
have you done for me lately” Jackson’s new trilogy gets harder to watch at
every turn. Usually you can count on a Lord
of the Rings film to be at the very least visually stunning and
groundbreaking, the second Hobbit
film is neither. The sad part is that as other films have caught up to Jackson’s
standard he’s not continued to push forward, to the point where this films CG
character designs are downright bad, with the biggest issues being Azog (the
white orc) and Smaug the dragon. Apart from that Jackson seems to have forgotten
that there are actual human actors in this film and has left them to fend for themselves.
Actors such as Ian McKellen (Gandalf), Evangeline Lilly (Tauriel), Luke Evans
(Bard), Sylvester McCoy (Radagast), and, surprisingly, Orlando Bloom (Legolas)
give good performances within the film; yet if you notice there’s one key part
missing from this list, Martin Freeman as Bilbo. The title character of the film
gets lost in the epic world created by Jackson and we are not able to connect
with him, follow his journey, or really care about anything to do with Bilbo;
basically Freeman seems lost in the role and that’s hard to see considering the
great work Freeman has done in the past.
This however is only the tip of the real issue
of The Hobbit trilogy; Jackson doesn't seem to understand the material. For someone who bleeds Middle Earth it’s hard
to see what he’s thinking. Bilbo is the heart of this story and should be one
of the main focuses, but instead he spends time trying to get us to fall for a
Dwarf-Elf love triangle, make Thorin the next great king to rise to power, and follow
Gandlaf on a journey that we already know what will happen. The worst choice
that ever could have been made was to split this 330 page book into three
films. I know Jackson says it was his choice and not the studios (take a listen to the audio clip here to find out more)which only makes the loss of story even worse; proving
that Jackson lost his way very early in the process. If Jackson would have focused
on Bilbo’s story and not tried to release three, three-hour-extended-edition
films into theaters, then may this Hobbit
trilogy would be watchable by everyone not just by the hardcore fans. As I’ve
said before, I still recommend the 1977 animated version of the The Hobbit over these bloated attempts
to regain former glory.
Day
2. Miracle on 34th Street
– Either, honestly pick either. It’s very rare that I even consider watching a
remake over the original but in the case of Miracle
of 34th Street both the 1947 and 1994 versions are equally
watchable. It just depends on which version you can get your hands on.
Written
and produced by John Hughes (yes the Sixteen
Candles, Preety In Pink, Ferris Bueller’s Day Off John Hughes) and starring
Richard Attenborough, Elizabeth Perkins, Dylan McDermott and Mara Wilson, this 1994
remake of a classic film focuses a bit too much on the story between Perkins
and McDermott but never loses the heart and soul of the story. Although longer
than its predecessor this version of Miracle
on 34th Street uses that time to explore the more interesting
characters of Kris Kringle (Attenboroguh) and Susan Walker (Wilson). Their
relationship and fantastic performances are the glue that holds this film
together, and although this is a good movie let’s move on to the version of the
film I most prefer.
The
classic 1947 version starring Edmund Gwenn, Maureen O’Hara, John Payne, and
Natalie Wood(!) is an endlessly watchable film and is not only a good Christmas
film, but a good film for anytime of the year. Nominated for 4 Oscars and
winning 3 of them, Best Supporting Actor for Gween as Kris Kringle, Valentine
Davies for best original story, George Seaton best screenplay; Miracle on 34th Street holds
up and is as much a joy to watch today as it was in 1947, I can only assume.
Natalie Wood is beyond adorable and at the age of 9 proves why she’s a great
movie star. But this film wouldn't be a classic without Gween, he plays a genial, honest, and caring St. Nick and who is the ideal version of the
character. If you can get a hold of this holiday classic, do so, because it’s
more than worth the watch.
Happy Holidays to one and all!!! I hope December is
treating you well, and since we are coming down the home stretch of 2013, it’s
time to start running down the Nerd 5 12 Days of Christmas; over the next 12
days we will present twelve of our favorite holiday time films, in particular
order. Just because we are doing the 12 days of Christmas doesn't mean that we are
abandoning our regular columns, it just means more to read, to share, and to
enjoy! Thanks for making this a great year at Nerd 5, enjoy the countdown and
have a great holiday season.
Day
1. Elf – Jon Favreau finds the
perfect character for Will Ferrell’s over-grown, naïve, man-child character
(you know, the one he plays in every one of his films); but as Buddy the Elf
Ferrell is fearless and shameless; his earnest nature, loving sensibility,
positive outlook on every situation make this film a treat to kick off the
holiday season. James Caan (in a rear comedic role) leads an amazing cast of
supporting players including the fantastic Bob Newhart, Ed Asner, Mary
Steenburgen, Faizon Love, and a blonde fresh-faced Zooey Deschanel. It’s hard
to not fall head-over-heels for Deschanel in this part as she is flawless as
Jovie, one of her first leading roles. Elf
also features great cameos by Peter Dinklage, Amy Sedaris, Michael Lerner, Andy
Richter, Kyle Gass, and director Favreau, this cast keeps getting stronger as
time goes by.
There
are not too many modern day Christmas classics but Elf has managed to melt our hearts and earn its spot. Buddy the elf
is so unaware of how off-putting his endless joy is, that’s enduring. Elf is a rare combination of a Christmas
films that is smart and funny, innocent with a wicked sense of humor, and
family treat for the holiday season. And keep in mind “the yellow don’t stop!” Also, Deschanel and Leon Redbone singing "Baby It's Cold Outside" is a great version of the song and an amazing listen.
Opening limited this week into theaters is the newest
film from Joel and Ethan Coen, The Coen Brothers. Inside Llewyn Davis is the 16th feature film released by
the Coen Brothers and it is entering theaters with solid buzz, abundant amounts
of awards talk, and a string of festival successes in its wake. To say that all 15 of the Coen Brothers
previous films are amazing would be a lie; to say that 13 of the 15 are amazing
is nothing shy of a true fact. Any rankings of the Coen Brothers films are
mostly based upon personal taste as most of the films in their cannon are very
high quality. Jeff and I always speak about an artist or filmmaker having a
quality threshold, meaning that no matter how bad something is from the artist
it will never be below high quality. In other words, even the worst Coen
Brother’s film is better than most Hollywood films. Here’s a quick look at my
ranking of the Coen’s filmography.
Masterpieces
1.O Brother, Where
Art Thou?
2.Barton Fink
3.No Country for
Old Men
4.Fargo
Supremely
Entertaining
5.Raising Arizona
6.The Hudsucker
Proxy
7.True Grit
8.Miller’s
Crossing
9.Burn After
Reading
Better than Most
10.The Big Lebowski
11.A Serious Man
12.The Man Who Wasn’t There
13.Blood Simple
The Bottom of
the Barrel
14.The Lady killers
15.Intolerable Cruelty
The Coen’s are known for stunning visual, great stories, quick
and witty dialogue, brilliantly shot films, outstanding soundtracks, and
memorable characters Their films are full of characters who are witty, fast
talking (when needed), quirky, intelligently designed, full-fledged character
with flaws to overcome, and are the heart and soul of The Coen’s films. You can
tell a Coen Brother’s film from the moment it comes up on screen and a lot of
that is the characters they put on screen. There are enough wonderful
characters for several lists, and, honestly this could be the first of many lists,
I’ll see you all soon for the next 7 characters of the 17th Coen
Brother’s film, but before we get to that let’s at the 6 most entertaining
characters in honor of the release of Inside
Llewyn Davis the 16th Coen Brothers film.
6.
Delmar O’Donnell – Tim Blake Nelson – O Brother Where, Art Thou (2000) – Delmar O’Donnell is a complex simpleton and a joy to
watch. Tim Blake Nelson brings this characters to life with such heart,
kindness, and joy that it’s hard to believe that he was ever in prison. One of
the most entertaining things about escaped convict Delmar is his never ending
loyalty for Pete (John Turtturo) and Everett (George Clooney) and his
willingness to follow them blindly. There are many great scenes with Delmar
from the “We thought you was a toad” scene in the movie theater, to his great
musical performance of “In the Jailhouse Now” (yes that’s Nelson singing, he
won a Grammy Award for it), but in the clip below you really get a glimpse into
what makes Delmar great and Nelson’s performance amazing.
5.
H.I. McDunnough – Nicolas Cage – Raising Arizona (1987) – Raising
Arizona is the second film the Coen Brothers made, and it stands as one of
their best. Arizona is carried by H.I.
McDunnough and Nicolas Cage’s stunning performance. Cage has fallen greatly in
recently years but at one point he was a great, dare I say well-respected,
actor and this is possibly his greatest role. H.I. and his wife Edwina “Ed”
McDunnough (Holly Hunter) have one simple goal; get a baby, by any means necessary—including
helping themselves to one of four babies born to the Arizona family. With
relentless honestly and a never ending drive to make Ed happy, H.I. wins his
way on the this list, and is certainly one of the most memorable Coen Brother’s
creations. The clip that follows is a fantastic representation of ex-con H.I.
and what happens when baby Arizona needs dippers.
4.
Bernie Bernbaum – John Turtturo – Miller’s Crossing (1990) – The Coen Brother’s films are littered with amazing,
outstand, and wonderful performances by Turtturo but in Miller’s Crossing is where he proves why he’s one of the best
actors ever. Bernie is one of the most layered and compelling lowlifes in all
of film history and the only thing that worse than Bernbaum begging for his
life halfway through the film is what happens after that scene. In lessor hands
this character could have come and gone, and just been another gangster in
another gangster film but Turtturo coupled with the visual style and masterful storytelling
of Joel and Ethan Coen prevent that from happening. Sadly the internet is
lacking of clips of Bernie begging for his life, but the clip that follows is
Turtturo speaking of that scene and the film in general with clips from Miller’s Crossing.
3.
Marge Gunderson – Frances McDormand – Fargo (1996) – The Coen’s films are more often than not a boys
club, with the almost constant exception Frances McDormand, a very talented
actress who populates plenty of Coen films. But her best work comes from her Academy
Award nominated role of Marge Gunderson in Fargo.
Marge is a pregnant police officer who’s on a murder case in the small town of
Brainerd, Minnesota. She’s determined, dedicated, and kind (don’t ya know).
Marge is a representation of what good people doing good things and how hard it
is to get them done. The following clip is one of the many great scenes of
McDormand as Gunderson; here she is finding a body that puts her story in
motion.
2.
Charlie Meadows – John Goodman – Barton Fink (1991) – Barton Fink is a criminally under viewed amazing
film. It’s full of life, vibrancy, hope, and joy all at the backdrop of hell,
falsehood, disaster, and failure, there’s a lot going on here. Visually
capturing classic Hollywood esthetic and using it to contrast the underside of
the film industry and of Barton himself. John Turttruo plays Barton Fink and is
masterful in the part but is easily out shined by John Goodman playing fellow resident
of the Hotel Earle Charlie Meadows. Goodman is genius piece of casting by the
Coen’s, using his good natured and friendly outward persona to contrast the
characters dark side, his what-the-hell-did-I-just-see side, his
who-is-he-really side that perfectly encapsulates the film as a whole and it’s insanely
captivating to watch. What follows is a great clip of Goodman as Meadows apologizing
to his neighbor Barton.
1.
Anton Chigurh – Javier Bardem – No Country for Old Men (2007) – A character so vile, so disgusting, so revolting
you can’t help but watch him. A cold calculating murderer played to Academy
Award winning perfection by Javier Bardem. One of the most endlessly fascinating
things about Anton Chigurh is you never know what he’s going to do next. An
outstanding performance delivered by Bardem because of its layers, his
understanding of the character, and his belief that Chigurh is not a bad guy, he
plays Chigurh as if he totally in the right and everything he does is justified
and deserved. This captivating and amazing performance is the highlight of this
Best Picture winning film. The clip below is Chigurh at his absolute most unpredictable.
Today’s Lesson: Thor: The Almost Dark
World – I’ve seen Thor: The Dark World twice in theatres
and I enjoyed it the first time; but it gets better upon second viewing. This
is a surprisingly layered film and most
scenes, dialogue, and shots have a reason for being. I qualify “most” because Thor: The Dark World has some pretty severe
tonal issues. Some of the failures of the film are its attempts for broad
comedy; comedy should come from a natural place not a forced jokey place. A lot
of reviews have pointed to Kat Denning’s character Darcy as being the main comedic
issue; however, I thoroughly enjoy what she brings to the film. The issue for
me is Stellan Skarsgard’s Dr. Eric Selvig, a character that has vital
information and serves a purpose yet is constantly and continuously played for
comedy even when a more dramatic moment is needed. Come on man, just put your
pants on. Although Thor: The Dark World
tires for some darker themes these overtly failed comedic tones cause it to never
quite reaches the darkness referenced in the title.
On
the whole this movie really works, director Alan Taylor (Game of Thrones, Mad Men, The Sopranos) understands that he’s a
part of a much bigger story and still makes this film completely stand on its
own; not shocking as he’s coming from a TV background. Taylor also plays well
in the visual style set up by Thor
and the other Marvel Cinematic Universe films, while at the same time exploring
Asgard, and the other planets of the 9 realms deeper than in previous films.
What
started out to be a troubled script ends up with a very strong core, saved in
part by script doctor and series over lord Joss Wedon. Focusing on Thor (Chris
Hemsworth) and his relationships with his girlfriend Jane Foster (Natalie
Portman), his father Oden (Anthony Hopkins), and most interestingly his brother
Loki (Tom Hiddleston) Thor: The Dark
World never loses its way, even though it has plenty of chances to.
The
film kicks into high gear when Loki becomes a full participant. Hiddleston
steals every moment of screen time he has, making Loki flawlessly evil, kind,
and brilliant at every turn. It’s not that the other actors in the film are bad;
in fact quite the opposite, everyone in this film is on top of their game. It’s
just that Hiddleston goes so far above and beyond that his performance can only
be called awards worthy. In terms of acting awards and acting recognition
blockbuster, mainstream, popular films are more often than not over looked. Nevertheless,
there are actors that give amazing performances and bring their characters to life
with such vivid realism, brutal honestly, and insane charisma that they are
burned into the pop culture stream of consciousness. Does anyone know off the
top of their head who won best supporting actor of 1977? No. But, most people
could tell you who Darth Vader is and who voiced the iconic character.
Hiddleston’s Loki is a character that will stand the pop culture test of time. Even
though this is a packed year for male acting performances Hiddleston deserves
to be talked about with the best of the best, if no other reason then he turned
the villain of the piece into the most beloved character.
Thor: The Dark World is not a perfect film, but it is a great addition to
the Marvel Cinematic Universe and a very fun trip to movies.
For
those who are curious, the best supporting actor of 1977 was Jason Robards for
playing Dashiell Hammett in Julia and
Darth Vader is voiced by James Earl Jones.
Happy Thanksgiving weekend to all, I couldn't let this
weekend go by without speaking on the obvious subject; the things that I am
thankful for. Since this blogs’ focus is usually film it gives me a good reason
to write The Top 5 Films I’m Most Thankful For, 2013 Edition. This, if I’m
being honest, is nothing more clever rouse to talk about the people, places,
and things I’m most thankful for secretly wrapped up in discussion about films
that I adore.
How does a film
become one that I am thankful for? First off it has to be a film that I endlessly
enjoy. Second, I need to have watched or purchased the film this year. Finally,
it needs to be more than just a good film, it needs to remind me of the things
that I am thankful for. I whole hearted recommend each of the following five
films and send out my sincerest thanks for everyone who made this year special.
This week’s films are in particular order. This blog post is very much about
me, Josh, and less about the films; just a quick heads up this one gets
personal for a more traditional review or top 5 check back next week.
5.
10 Things I Hate About You (1999)
– This year I am thankful for the city of Seattle. It has been a very welcoming
new home for me (in spite of a day three car-break-in incident). It’s been a wonderful
new playground for me to explore artistically, professionally, personally. Seattle
has quelled my allergies! (As much as they can be.) I can’t think of place I’d
rather be at this moment. If there is one quintessential Seattle film for this
90s kid it’s 10 Things I Hate About You.
In the summer of 1999 I was 14 years old, that summer I discovered a love for
film, theatre, and a ton of things that would define me to this day; and along
comes 10 Things I Hate About You
based upon Shakespeare’s play Taming of
the Shrew featuring a cast list that would grow up together and take
Hollywood by storm; Heath Ledger, Julia Styles, and Joseph Gordon-Levitt to
name a few. 10 Things I Hate About You is
90s magic and captures a generation very well. In 2013 I’m thankful for 10 Things because of the remembrance of
the past and joy the future.
4.
Toy Story 3 (2010) – This year I am
thankful for my Tri-City Family. Yes, that’s a lot of people. From family in
the traditional since, family in the non-traditional since, and family in the since
of there’s no other words to describe how I feel about them, I am very thankful
all for you. I am super blessed to have an amazing support system in my
hometown of people who love and care for me, and when I visit make me feel like
a returning superhero. I learn so much from my students, care so much for my family
and miss what I left behind, I find myself searching for it every day now. I keep
you all in my heart every moment of every day and you help me strive to become
a better person. There’s a reason why we refer to the past as the good old
days. Leaving is never easy, change is hard, and growing up and moving on are necessary
parts of life; these are life lessons that I’ve learned this year and all of
them are themes within the entire Toy
Story franchise. But the final scenes of 2010’s Toy Story 3 are a perfect encapsulation of what we all feel when we
have to leave behind things and people we love. If you’d prefer to not be spoiled
for the end of Toy Story 3 skip to the next section. It feels like the
franchise has been building to the final scene of Toy Story 3 ever since the first scene of Toy Story, which is amazing filmmaking. When Andy drives up to
Bonnie’s house and prepares to give his toys to Bonnie it’s a beautiful and
emotional moment that should have the best of us reaching for the tissues. We
see Andy giving away a very loved part of his life, so he can make room for the
new part of his life; even knowing the love and care that Woody, Buzz, Jessie,
and all his friends are going to get it’s a painful for Andy; a moment that is meant
for the adults in the audience and that kids will understand even more upon
rewatch. I am thankful in 2013 for Toy
Story 3 because on the eve of my move to Seattle I found myself finishing
cleaning, packing, and watching the Toy
Story Trilogy. By the end of the very long night, my apartment was clean, all
my stuffed packed and I was sleeping on an air mattress, with only my laptop
and the end of Toy Story 3 in front
of me. It was an unplanned poignant moment, that somewhere my brain had to know
would happen, yet, was amazingly spontaneous and had me in massive amounts of
tears, these tears are the reason I’m thankful for Toy Story 3
3.
Wet Hot American Summer (2001) –
This year I am thankful for my fellow SCT Interns. Guys, I love you and this summer
was made by seeing you every day; such a talented, kind, and awesome group of
people. I worried about finding a connection with the people I was going to be
working with, I worried about finding a support system in a new city – I worried…
pointlessly because after the first day I knew that I was in an amazing group
of people I was with, who would help shape the next chapter of my life. For those
who aren’t in Seattle anymore, I miss your face, hope to see you soon, and that
all is well. For those who are still here in Seattle, you’ve been the greatest
group of friends a sloth could ask for! There’s one film in particular I found
myself returning to this summer, (in fact, I watched it three times including
once in theatres at the awesome Central Cinemas) Wet Hot American Summer is a greatparody of 80s teen comedies, set a
summer camp and follows a group of counselors who are surviving and thriving on
the last day of camp. Written, directed and staring members of the comedy
troupe The State, this film encapsulates
everything that 80s teen cinema tried to be, while also being a great film,
with character you care about and root for. It’s the perfect kind of satire because
it works as a film and it also works as a parody. The films themes of friendship, inside jokes,
and survival are what makes me thankful for Wet
Hot American Summer.
2.
The Odd Couple (1968) – This year I am
thankful for my roommate, co-blog partner and one of my best friends, Jeff. A
person who welcomed me with open arms into his apartment knowing that I couldn’t
afford to a full share of rent and that my initial job was only three months
long, and if it extended the pay check would not be much higher; a person who
is always willing to listen when I need a friend and a person who opened his
life to me and never once questioned it. Thanks Jeff. I couldn’t possibly think
of a better film to represent the last 6 months then Neil Simon’s The Odd Couple. Staring Walter Matthew as
Oscar (the sports loving, slobbish guys guy) and Jack Lemon as Felix (an
uptight, down on his luck neat freak) and the two of them become roommates.
Although Jeff and I are not perfect comparisons to Oscar and Felix we are an
odd couple, the yin and yang that make up a great team. I’m thankful for The Odd Couple because it reminds me of
everything that is great with my roommate, we may not always see eye to eye on
things (you know the important things like if James Cameron is a good director)
but we always have each other’s backs, through thick and thin and this is what
matters and that is what I am thankful for.
1.
Say Anything… (1989)– This year I am
thankful for love. I warn you right now this paragraph is going to be me
gushing about how much I love my Ann and how lucky I am to have her in my life.
Through all the change and all the ups and downs of 2013 there’s been one consistent,
one goal, and thing that keeps me keeping on. Ann. From day one with her there’s
been one word that has been a constant, hope. Hope in the future, hope for the
present and hope from the past and I hope beyond all hopes that I don’t have to
spend one day without her in my life. How does this tie into Say Anything…? (Besides the fact that,
that also happens to be the name of her favorite band) Lloyd Dobler (John
Cusack) is a psychical representation of hope in one of the greatest love
stories of modern times. Dobler has no reason to think that he can get Diane
Court (Ione Skye) and yet goes for it anyway. Some of us get lucky and get the
girl, if you’ve not seen Say Anything…
do yourself a favor, find it and see it. If you’ve seen it Say Anything… is worth a rewatch as it’s a wonderful film, with a beautiful
story that holds up all the way through today. But Mr. Dobler and hope are the reasons
I’m thankful for Say Anything…