Wednesday, June 19, 2013

Talkin' In the Movies: This is the End SPOILERS!


As always we join Jeff and Josh in the middle of their conversation…

JEFF
So I felt a bit of a connection to this film where a group of friends are all under the same roof, since we're in that situation ourselves now. If we were trapped in our apartment for that long with only each other, do you see it going down the same way?

JOSH
Hmmmm… Does that make me Jay or Seth or Franco? Well, no one is Jonah Hill. I wish I could be Danny McBride... whatever our “casting” there would be far less demon genitalia in our situation.

JEFF
So, to keep that from "hanging in the wind" we should say right now that the big spoiler of this film, which they did a GREAT job of keeping out of the advertising, is that This is the End is set against the actual, wrath of God, good-old-fashioned Biblical apocalypse. The end has come, the devil is walking the earth, and apparently he's packin'.

I loved this turn, and the fact that we didn't see it coming. It makes perfect sense in the context of this story, and at times this plot makes profound statements about Hollywood culture. I personally expected the cast to goofily fight off an alien invasion, or slay yetis, or any number of scenarios that are far less interesting and much easier to ignore. Instead we're set up with a premise that gives and gives and gives, with a lot of laughs along the way that are really earned.

JOSH
And on another level it actually allows the film to look at how we as American view ourselves, our personal morals, and our society's morals. It was a wonderfully subtle way to get a little message into the film while never ever openly focusing on it. It was a nice reveal and I think the mystery really carries the first half of the film, before everyone buys into what's happening.

Let's talk about the cast playing themselves.

I really enjoyed this aspect of the film. It allowed us to have preconceived notions about the characters but also going on the journey with them to see if were right or wrong. There were some very well defined characters types created within the gimmick of actors playing themselves. They gave us what we thought they’re all like, and then by the end of the film they turned that image on its head (specifically the main characters of Jay, Seth, Franco, Jonah Hill, Danny McBride, and Craig Robinson).

JEFF
I thought it was a brilliant move and a ton of fun. Obviously they were playing very heightened versions of themselves, essentially characters, but it allowed the audience immediate access to the underlying joke of the movie, which is that we perceive actors as selfish, drug addled, petty people who can't face life without an army of personal assistants or be held accountable for their actions. The notion we all have that if the rapture did come, that of course no one in Hollywood is going to make it in the first round. By starting with such strong "characters" they got to capitalize on our expectation and portray a much more satisfying arc toward humanity than if they had tried to play honest, three dimensional, emotionally aware people like I'm sure they are in real life (I hope). For instance, if they were truly playing themselves and people were dying all around them of earthquakes and fires, they might have wondered about the fate of their wives? Or kids? Their "characters" freed them from this, while their actual friendships served as pre-existing depth so that they could hit the ground running.

You lived in LA, did this seem like a pretty genuine version of how God's wrath would strike people down there?

JOSH
Well... not my LA. I mean I wasn’t at parties with world famous celebrities, so I can't say what they would do. Contrary to popular belief, LA people are people are too. BUT what was very fun for me is the opening sequence of the film where Seth picks up Jay at LAX. I've been right where they’re standing and have eaten at that same Carl's Jr. after picking people up from the airport (it's got a really great location). That was very fun and made me instantly feel like I was in LA and that these people are real.

What I enjoyed the most about the opening was Seth and Jay’s conversation in the car about Gluten. That simple running joke set the comedic tone for the entire film. I'm not going to go as far as to call the film brilliant, but it has some really clever comedy and really used its situations well. There were some clichĂ© and low brow jokes, but I get it. That's who these people (Seth Rogen and friends) are. To get to the gold of this film you have wade through some garbage.

This Is The End really hits its stride when dealing with its characters relationships. This is where the film shines and some of the best moments come from. Whether it’s the main story of two best friends trying to reconnect, everybody hating on the INSANE Danny McBride (my personal favorite part of the film), or how Jonah Hill... You know what, no... I'm saying a word about Hill because the less you know about him the better. Let's just say awesome and hilarious.

This film works because we can see ourselves in these characters. Yes, we're not celebrities, but we all have a group of friends with whom we do dumb stuff and get into crazy situations. This is the End really examines how that group would perform under pressure.
 
The SIFF Uptown here in Seattle has doubts about Baruchel...
JEFF
True!

JOSH
Why thank you, I think most things I say are true

JEFF
Okay… Letting that one go.

The other fun thing about actor's "playing themselves" was we got a lot of great cameos to open the film. The device of this being a party at James Franco's new mansion brought in a ton of people I'd love to party with. Probably the best are Michael Cera, Rhianna, Jason Segel, and of course, the one they couldn't NOT show off in the trailer because it's THAT good, Emma Watson.

JOSH
So that's what Rhianna looks like! I missed her name in the film and had no idea who that was punching Cera in the face. I was like, “good for that random chick who got to punch Cera...”

We've come to a point of disagreement! I didn't like Watson in this film. Not her acting specifically, but what they gave her to do. I think I would have disliked any actress in the part. It was pointless and dumb... I always like seeing her in films but really couldn’t have cared less for her section of the movie and could have trimmed it out. Also she was in all the trailers that I saw. So I wasn’t surprised.

JEFF
It did serve the purpose of answering one big apocalypse question: what happens when society is removed and five guys are in close quarters with one girl? Any post-apocalypse story deals with this fundamental gender issue, and it never ends pretty. In this case they get in a couple great jokes, Emma Watson get's to show them who is boss, and she goes on her way quickly so we can get back to the main story. I knew the issue would be covered in SOME way, and honestly I'm just glad that Danny McBride didn't just start raping the other men in the house. I was 90% sure that would happen, knowing that the creators of this movie have that sense of humor. There were a LOT of things about this movie that weren't classy, but I thought how they used Emma Watson to handle that plot point was one of them.

JOSH
I'm not really sure anything about that scene where they talk about rape was classy... It's handled well enough but I honestly didn't need it.

JEFF
They talk about how they WON'T rape her and don't want to accidentally give her that impression, which leads to a misunderstanding. A small amount of innocence in this film that I really appreciated.

JOSH
That's fair.

JEFF
So there were a lot of things that weren't classy about this film... including a fair amount of demon genitals.

JOSH
Agreed and I actually think that will hurt this film in the end.

JEFF
Neither of us are prudes, and the devil isn't the most appropriate kind of guy, but there was a lot of devil dork.

JOSH
A little bit of low brow humor goes a long way

JEFF
I'm glad we didn't see it in 3D…
JOSH
it's not available in 3D... just saying.

I'm not saying that there should have been zero crude moments, some I loved, really loved, and this film would have been lacking without a few. They just went to that well a little too often. I think for me the main problem is that it's a bit too long and if they had cut a few of these moments they could have had a tighter film that would stand the test of time a little better. Thinking about its place in comedy film history, I'm not sure that This Is The End will make a big mark. Although it could, would, and should have. It's great, but I’m not sure how it will hold up 10, 15 or 20 years from now. Come to think of it, will this film hold up in 5 years? I think it's very much a product of its time, and seeing it now is important to the enjoyment of the film. I hope it does well and get's good word of mouth because it's probably the most innovative and interesting comedy in a while... probably since the first Hangover film.

Hey, another good thing, no chance this will have a sequel!

JEFF
It's true that in 15 years the cameos won't mean a thing, though with any luck the characters might.

JOSH
Very fair point! I think these characters and situation will hold... if people give the film a chance. I'm thinking this becomes a college cult comedy in the next few years.

There is a lot that I could talk about with This Is The End, but with comedy the less you know the better... This article wasn’t too spoilery at all, and that was intentional because good comedy needs a little bit of surprise.

The last thing that I wanted to touch on was the Ghostbusters like effects with the demons, which I LOVED! Really added to the film and set a tone, mood, and style instantly.

JEFF
Yes! The Ray Harryhausen-type demons were a great choice and just seemed more "metal" than if they'd been done any other way. It gave the creatures character, and by extension created a world beyond James Franco's living room. Deceptively simple character design like this will also really help this film stand the test of time.

I agree that this comedy was a breath of fresh air after soooooo many stupid sequels and remakes. Writer/Directors Seth Rogen and Evan Goldberg went WAY out there with a high concept premise and managed to do it on a micro-buget. This movie LOOKS like a 125 million dollar film, but was made for 35. That's unbelievable, and allowed them to make EXACTLY the film the wanted to make. If they had had a summer blockbuster budget, the unique voice we loved, dick jokes and all, would have been stripped away, along with all the meat of the premise. No one wants to spend "real" money on a couple stars the rapture forgot.

Thanks for joining us again. Get in on the conversation. Let us know what you thought of This is the End.

Sunday, June 16, 2013

What We Learned This Week at the Movies - June 8-16, 2013

This is a week about trust and faith. This week at the Movies we learned five different things about trust and faith. We had faith in SIFF and its filmmakers, lost faith in Fox and Big Sky Studios, gained some in Seth Rogen, and went down the rabbit hole of giant over-done pointless explosions with Man of Steel.    
           
Hermione Granger and George Michael Bluth steal the Apocalypse
in This is the End.
Movies Seen In Theatres This Week: Epic, Drinking Buddies, This is The End, Man of Steel
Lesson 5. Epic Fail
In trying to have a little bit of faith in Big Sky Studios (the animation team behind all of the Ice Age films, of which one was good) I saw Epic. I was hoping for a fun family film with a strong female lead, but ended up being sad about what could have been. Epic is the tale of a scientist who believes that there’s a small society of people living in the woods and his daughter who unwillingly becomes a part of that society. Epic is full of stunt-casting (with both BeyoncĂ© and Stephen Tyler having parts that are far too large), characters that have no depth, and predicable moments that leave the audience wishing this highly creative concept and story was in the hands of a better team.

Lesson 4. Sometimes You Have to Step Up

This lesson is a call to you, our dear readers. We need you to step up and defend Zack Snyder if you like, because I have had enough. SNYDER IS TERRIBLE (more on that to come in Lesson One, where I rant for days about Man of Snore). Here we’re talking about Snyder himself. WHY IS HE NOT AS HATED AS M. NIGHT? Let me list the films of Snyder’s that I enjoy… Dawn of the Dead. Let me list the films of Snyder’s that I bore me to death… 300, Watchmen, and the last list of Snyder films that make me want to claw out my own eyes… Sucker Punch, Man of Steel. I’m DONE, I was already on the edge about him considering it’s been eight films since I’ve liked anything he’s done. But this is my call to you, dear readers, please answer this simple question. Why? Why do we keep seeing, paying for, and “enjoying” the films of Zack Snyder? I don’t get it. Please leave a comment below or on our Facebook page telling me why I should give Snyder another chance.

Lesson 3. It Never Hurts to Have a Little Faith

Jeff here! Last week saw the end of the Seattle International Film Festival. The annual festival has been running for 39 years, and runs two year-round cinemas in Seattle as well as a variety of educational programs. I’ve had a great time participating in their programs in the past and can’t wait to do more. Now that Nerd 5 calls Seattle home, we made it a point to check out the festival and see at least one new independent flick. We made it just under the wire, catching the afternoon showing of Drinking Buddies, starring Olive Wilde, Jake Johnston, Anna Kendrick and Ron Livingston, on the last day.

Drinking Buddies is a unique movie in that it was almost entirely improvised. SIFF gave us the opportunity to hear from the Director and “Writer” Joe Swanberg just after the showing, who explained that the actors had a bullet-points understanding of the story and the individual scenes, but within that were trusted to improvise their way from point A to point B. It’s a daring way to make a film, especially since Swanberg explained that much of the film, including pivotal emotional moments, were shot out of sequence due to the practical limits of their small production. This could easily be the recipe for a horrible, incoherent, film, but instead Drinking Buddies was a smooth, funny, and ultimately heartfelt journey with a cast of likeable and purposeful characters.

The moral: it can really pay to put your trust in programs like SIFF. To reach out into your community and try something you wouldn’t normally do. The result can be a great learning opportunity, a new friend, or in our case, a little movie that we couldn’t have heard about elsewhere. In the case of Joe Swanberg, it pays to trust your cast to create a compelling story if you only give them the guidance and the room to do so. Drinking Buddies gets a theatrical release on July 25 and if you get the chance, don’t miss it.

Did we mention that this is awesome?
More to come...
Lesson 2. Patience is a Virtue

Jeff and I saw This Is The End this week and it’s safe to say we both enjoyed the film. Good on you Seth Rogen and company. Just a brief mention here about the joy in this high-concept, high-laugh comedy, then later Jeff and I will present a Talkin’ In The Movies: This Is The End! Enjoy the film, or check back in with us soon for spoilers. For now, just know that Michael Cera is pure comedy in this film.
Lesson 1. Metropolis is The Land of Gratuitous Violence and Confusion
I didn’t like Man of Steel, for many, many reasons. However, there were a few things that were okay, and to be honest, a few moments that actually hit home. Other nice things I can say about the film? Everyone beside Henry Cavill gives good performances with what they’re given? That’s about where the good stops. I wish I could say I liked this more, I really wanted to like it more. However, there were far too many problems for me to enjoy this film, and most were with the filmmaking and not the story of Superman (which usually bugs me. In fact I think the story they told was very good, I just wish it would have been told better). Starting with little issues of overuse of destruction, weak character development, inconsistent pacing, and an overuse of Jesus imagery (including at the moment Superman decides to save mankind – he falls from a spaceship arms spread as if on the cross). It seems as if Snyder studied at the Michael Bay School of Filmmaking, where style, visuals, and CGI are more important than substance and storytelling.
Moving on to my two main issues: first, your audience has to know what’s going on, and there is far too much gratuitous violence in Man of Steel. Let’s start with a quick comparison to a recent film I actually liked, Fast and Furious 6. Why is Furious 6 better than Man of Steel? You can follow the action. In each sequence you can follow your characters through the fight. You know what their goals are, who they’re fighting, and where they are. None of those things are true about Man of Steel. On top of the fact that the fight sequences are confusing, long, and have FAR TOO many civilian casualties, Snyder goes through fight sequences like they’re going out of style. There is sooooo much needless destruction of buildings, people, and entire societies, that by the time climactic fight comes around everything was so overdone and overused that I couldn’t care less about one more fight. LESS IS MORE MR. SNYDER! It’s especially sad when the villainous General Zod (played to its absolute best by Michael Shannon) decides his only option left is to destroy all humanity, the choice is undercut by the fact that we’ve already seen him pointlessly do the exact same thing through the entire film. The violence of this movie is needless and hurts the story, as well as this audience member’s enjoyment of the film.

Box Office Totals for the Weekend of June 7-9
Rank
Film Title
Weekend Gross
Total Gross
Budget
Weeks in Theatres
1.
Man of Steel
$113.1
$125.1
$225
1
2.
This Is The End
$20.5
$32.8
$32
1
3.
Now You See Me
$10.3
$80.0
$75
3
4.
Fast and Furious 6
$9.4
$219.5
$160
4
5.
The Purge
$8.2
$51.8
$3
2

All Numbers are in Millions and numbers are from of Box Office Mojo.com

Wednesday, June 12, 2013

What We Learned This Week at the Movies - June 3-7, 2013

Back to life, back to reality. So after moving, unpacking, settling in and starting at my new job, I’m finally back at the keyboard doing what I…we… love to do, writing about movies. I’m not going to lie to you, dear readers, this is a favorite part of my week – when I can talk movies with you. Life has been crazy but not crazy enough to skip seeing movies. I’ve got five on the docket for this week. I’m very excited because I can actually recommend three out of the five films I’ve seen this week.

Movies Seen In Theatres This Week: The Iceman, Now You See Me, After Earth, Fast & Furious 6, The Sapphires
Lesson 5.  Never Meet Michael Shannon in A Dark Back Alley
I’ve recently covered my love for Michael Shannon (he plays a great small part in Mud, his part can only be described as lovably southern) but in The Iceman is where he SHINES. That might be the wrong word for someone playing a creepy, murderous, mafia hit man while doubling as a typical suburban family man, but Shannon’s performance as Richard “The Iceman” Kuklinski is awesome to watch. The film hits all the right notes and Wynona Ryder and Chris Evans give performances of a very high caliber. The Iceman is a captivating film about the mind of a killer and his motivations that actually makes you question if what he’s doing is right or wrong. Your homework: find the The Iceman and see it. If not for the amazingly creepy Shannon, than just for its brave and compelling storytelling.
Lesson 4. Hollywood’s Most Popular Metaphor
Little films. I love little films that could and The Sapphires is one of them. It’s an Australian film whose only known star is Chris O’Dowd (who is great as a down-on-his-luck musician who finds a group of Australian Aborigine girls who can sing like no tomorrow). This is film is heartwarming, full of standout performances and visuals and it supports a great script. Simply put: it’s worth seeing. The film is set during the Vietnam war and follows this up-and-coming singing group as they tour Vietnam performing for American troops and uses this backdrop to explore many things, including the civil rights movement, and it’s very clear in the film that treating people poorly because of the color of their skin is wrong (as we all-hopefully-know). Why is this the little film that could? It plays on a trend of showing racism and the civil rights movements as a metaphor for contemporary problems in America. The Sapphires joins recent films such as Lincoln, the upcoming The Butler, and to a lesser existent films like Django Unchained. But many in recent memory have had subplots dealing with social intolerance in order to mirror the problems of today.
Lesson 3. How to Test your Suspension of Disbelief
Going into a film, you have to be willing to suspend some disbelief in order to accept what’s happening. In Now You See Me you’re asked to suspend your disbelief in every sense of the word. At times they perform actual magic, then expect you accept that it was all just a trick of the eye because, as they say, you’re “looking too closely.” Let’s put it this way, I watched Fast and Furious 6 where Vin Diesel literally flies like Supermank, and that felt more real than anything in Now You See Me.  The film tries for so many twists and turns that you never really know what is happening. All of the actors give solid performances and the visuals are fun, but overall Now You See Me has no answer to its central question: is magic real?
Lesson 2. It’s Cute When Kids Want to be Just Like Dad
After Earth is just as bad as you think it is. Boring. A failure where the few interesting ideas and the visuals onscreen don’t add up to the story that it fails to tell. The biggest flaw of After Earth is that Will Smith is a far stronger screen presence than his son, Jaden Smith. Jaden did the best he could, but sorry kid, you are simply not as captivating as your dad. What really hurt After Earth is that I wanted to watch the sub-story far more than the main story. To touch very briefly on director M. Night Shamalyan, this film’s failures cannot to be completely blamed on him, he honestly did what he could with this overtly convoluted film. What neither M. Night, Jaden, nor Will Smith bring to After Earth is depth. They try to explore a world and concepts without actually diving into the deep end of the pool. Bottom line: don’t waste time on After Earth.
Lesson 1. Fast & Furious 6: The Impossible Jump

It is our choices, Harry, that show what we truly are, far more than our abilities. - Albus Dumbledore

I. Love. The. Fast. And. Furious. Series. There are some awful films and then there are some AMAZINGLY awful films! Fast and Furious 6 (credited on screen as Furious 6) is off the wall crazy bonkers. In this film, Dom and all his friends basically have super powers and are able to solve crime and stop one of the world’s most dangerous terrorists. Hey guys, remember when the fast and furious films were about street racing? WHO CARES! Oh my goodness. These films understand what is great about American action films: they’re done with tongue firmly in check, and director Justin Lin knows exactly what type of film he’s making and never forgets it. Furious 6 is so much endless fun, but it has a lot to live up following Fast Five which might be my favorite action film of all time. So it’s not quite as good as Fast Five but still, there is endless amounts of stupid, car chasing, blow ups, logic loop holes, over the top acting, and insane fun. The only down side to Furious 6 is that it ends… AND THEN THERE IS AN AMZAING TAG SCENE! You have to know what you’re watching. Just buckle and be ready to be taken on an amazing, crazy ride into the land of Fast and Furious 6. If you haven’t seen this movie, do so! Keep them making more, please America keep my dream alive! 10 Films, 10 Films, 10 Films!!! We need 10 Fast and Furious films. We can do it America: stay strong. Keep supporting.  
Box Office Totals for the Weekend of June 7-9
Rank
Film Title
Weekend Gross
Total Gross
Budget
Weeks in Theatres
1.
The Purge
$36.3
$36.3
$3
1
2.
Fast & Furious 6
$19.7
$202.9
$160
3
3.
Now You See Me
$19.5
$61.3
$75
2
4.
The Internship
$18.1
$18.1
$58
1
5.
Epic
$12.1
$84.1
$100
3
All Numbers are in Millions and numbers are from of Box Office Mojo.com